Koch Theater, Lincoln Center)īARYSHNIKOV ARTS CENTER This fall the center presents the renowned Odissi dancer Bijayini Satpathy’s first choreographic work, “Abhipsaa - a seeking” (Sept. 5) won’t offer the usual parade of designer-costumed world premieres instead, Balanchine’s “Who Cares?” will get new looks by Wes Gordon for Carolina Herrera. 11 - the date of City Ballet’s inaugural performance in 1948 - the company will recreate its first-ever program, the Balanchine triple bill “Concerto Barocco,” “Orpheus” and “Symphony in C.” And the annual fall gala (Oct. 15) focused on history, featuring 18 ballets by the company’s founding choreographer, George Balanchine. NEW YORK CITY BALLET The company begins its 75th-anniversary celebration with a fall season (Sept. 8) in “Ceremonia,” the choreographer Antonio Ramos and his collaborators the Gangbangers explore Puerto Rican ancestry and belonging (Oct. Caborca Theater’s bilingual play “Zoetrope” follows multiple generations of a working-class family in Puerto Rico and New York (Sept. 15-22, the Joyce Theater)ĪBRONS ARTS CENTER Abrons’s fall programming features two works blending dance and theater. SERPENTWITHFEET For “Heart of Brick,” his first theatrical stage work, the experimental musician serpentwithfeet joins forces with the choreographer Raja Feather Kelly and the multimedia artist Wu Tsang to tell a love story set in the world of queer Black nightlife. The multidisciplinary artist Matthew Lutz-Kinoy’s “Filling Station,” a world premiere presented by The Kitchen, reimagines that work for a different America. MATTHEW LUTZ-KINOY In 1938, the impresario Lincoln Kirstein’s experimental troupe Ballet Caravan premiered Lew Christensen’s “Filling Station,” an American ballet set at a distinctly American locale: a gas station. And Olivier Tarpaga’s “Once the dust settles, flowers bloom” considers the plight of refugees from Burkina Faso (Oct. premiere, remembers young people of color who have lost their lives to gun violence (Sept. Smaïl Kanouté’s “Never Twenty One,” a U.S. The choreographer Tatiana Desardouin’s “Les 5 Sens,” a collaboration with the artist Nubian Néné, offers an all-night hip-hop dance party at the Standard Hotel’s Boom Boom Room (Sept. (Dates are subject to change please check websites.) SeptemberĢ023 CROSSING THE LINE FESTIVAL The dance offerings at the French Institute Alliance Française’s annual festival range from celebratory to contemplative. Queer adaptations of Ballets Russes classics, a “Rite of Spring” performed by dancers from 14 African countries, a bluegrass version of an Agnes de Mille masterpiece: Artists and companies are pulling history into the present by rethinking, rather than simply revisiting, familiar repertory. But in some cases the old is a foundation for the new. Anniversary celebrations abound this year, in a dance season that seems conspicuously preoccupied with the past.
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